The latest stories from Remodelista

by Remodelista Team

by Alexa Hotz

I first learned of the work of Cecilie Stöger Nachman through a collaboration she once did with Copenhagen children’s store Studio Mini. Through Nachmans, Cecilie’s “own small online universe”, she creates handmade objects from her archive of vintage printed fabrics. I promptly bought one of her fabric-covered boxes and have been using it as a repository for all the small treasures of my daughter’s childhood—a found piece of string, a smooth rock, pocket-sized drawings. I was immediately enamored with Cecilie’s approach; her work feels as special and enduring as the handmade objects from generations past. So when I noticed that she and her family had moved into a new home that reflected the same sensibility, I reached out to learn more.

Cecilie lives with her husband, Ulrik Ejlers, an art director at an advertising agency, and their two daughters—Hannah, age 7, and Dora, age 4—in Frederiksberg C, in central Copenhagen. They had lived in the neighborhood for nearly 15 years before finding their perfect apartment there. “[Frederiksberg] feels like a small village in the middle of the city, with leafy residential streets, and we love how central it is and that both of our workplaces are only a 10-minute bike ride away,” says Cecilie, who plans to step back from her in-house role at The Poster Club to focus on Nachmans 2.0 and launch a creative agency with two Copenhagen-based partners.

The 1,100-square-foot ground-floor apartment occupies a building dating to 1901, with its original details intact, though it required considerable updating. “The apartment was in fairly poor condition when we took it over,” Cecilie explains. “Fortunately, the bathroom was relatively new and finished in neutral materials, and we kept the original floor plan. But we installed a new kitchen and hired a carpenter to create several built-in solutions. We also refinished the floors and repainted throughout.”

The result is colorful and whimsical, yet distinctly grown-up. “For me, a home should reflect the people who live there. Both my husband and I love color, so it makes perfect sense that our home is full of it. We could never live in a completely streamlined white space.” Here’s a look inside.

Photography by Caroline Parkel courtesy of Cecilie Stöger Nachman.

Above: Cecilie in the hallway with original pine floorboards they sanded and treated with white lye soap. “The scent is wonderful whenever we wash the floors,” she says.

Cecilie looks forward to growing into the newly renovated space: “At the moment, our apartment is actually a little too clean for my taste, but it’s a new home and these things take time. I’m looking forward to gradually adding layers of vintage lamps, textiles, books, and collected objects.”

Above: The Moroccan rug is from Larusi and the small textile hanging in the hallway is by Helle Høgsbro of Crème de la Crème à la Helle. The 5-meter-long wall of cabinetry was custom-built by a carpenter and hand-painted in Griegst 07 Lia by Griegst for Blēo. (“We love Italy, and the color reminds me of the legendary green paneling at Da Giacomo restaurant in Milan.”)
Above: The kitchen is completely new and is Ulrik’s domain, the family cook. The floor is green Pirelli rubber flooring—”the type you often see in institutions and ferries”—with a streamlined Ikea kitchen with a stainless steel worktop and integrated sink. The faucet, oven, and cooktop are all from Ikea. The ceiling lamp is a Swedish vintage piece. “Over time, I hope to fill the kitchen with lots of vintage ceramics and artwork to soften the industrial look,” she explains.
Above: The yellow paint is Farrow & Ball Dayroom Yellow No. 233: “We tried countless shades because yellow is surprisingly difficult to get right. This one creates a feeling of perpetual sunshine without being overwhelming.” The dining table was found at a Swedish auction; it’s pared with a pair of vintage Alvar Aalto 66 Chairs and the Ilse Crawford Bench with Back 444 for De La Espada with a cushion Cecilie upholstered in Josef Frank Textile Catleya fabric from Svenskt.
Above: The chairs are from Muller Van Severen—”a version of their First Chair, hand painted by the designers themselves in their studio.” Cecilie helped install an exhibition of Muller Van Severen furniture at Copenhagen’s The Apartment in 2014. The ceiling lamp is the Rice Paper Shade from HAY.
Above: Cecilie and Ulrik had a carpenter build the bench into an alcove that was previously a fireplace. “It provides practical storage and also hides our router—a little life hack.” The cushion is upholstered in Josef Frank Textile Poisons fabric from Svenskt Tenn. The floor lamp is the Atelier Areti Vertical One.
Above: Both Jean Arp works are lithographs bought at an auction. The teapot is by Linda Sikora bought from Tetomo.
Above: The sofa is a Muuto Outline Sofa upholstered in Kvadrat Vidar fabric. The stool is a custom Alvar Aalto Stool 60. The Kaare Klint Safari Chair is a family heirloom. The artwork is by Carl Fredrik Reuterswärd and a Picasso lithograph.
Above: The cushions and ceramic table lamp are both from Helle Thygesen, a friend and collaborator of Cecilie’s.
Above: A vintage Vico Magistretti Tadao bed frame in teak, and an Indigo Kasane Quilt designed and produced by friend Marie Bertelsen who owns Tetomo. The bedside light is the Artemide Tolomeo Clip Spot. The large artwork over the bed is a vintage Le Corbusier lithograph inherited from Ulrik’s grandfather and the other work is by Morten Buch. The wall color is 17 Mercer Street by Halleroed for Blēo.
Above: Cecilie’s home office is designed with a Kaare Klint 101 Pendant Light, a large noticeboard by Cecilie covered with Josef Frank fabric from Svensk Tenn, and a Thonet Armchair in Rusty Red.
Above: A look at pieces from Cecilie’s fabric archive and collection of rare and vintage notions she uses for Nachmans.

“I started making my fabric-covered boxes in the spring of 2020 when everything shut down during the pandemic. My passion for collecting vintage textiles suddenly found a purpose, and I loved the meditative process of working with my hands and shutting everything else out,” she explains. “At the same time, we had our youngest daughter, and the boxes were flexible enough to make from home while she slept. There was a great deal of interest, and that became the beginning of Nachmans.”

Above: A vintage pink Joe Colombo trolley holds “some of my many textiles and ribbons,” she explains.
Above: “I have a large, old display cabinet that is ‘my cabinet’ filled with treasures I’ve inherited or picked up on my travels: small chocolate boxes from Demel in Vienna, marbled paper boxes from Florence, Murano glass, a golden egg by Carl Auböck, ceramics from Kähler and Griegst, pieces inherited from my grandparents, and things my daughters have made for me.”
Above: The two girls share a bedroom overlooking the garden. The display cabinet is a family heirloom that Cecilie had painted and lined with hand-printed wallpaper from Marthe Armitage Chestnut Wallpaper, attached using painter’s tape on the back. The rug is by Mini Knots from Studio Mini. The elephants are from Tout Petit Atelier. The wall color is HA RO 24 Baby Blue by Halleroed for Blēo.

For more Copenhagen interiors see our posts:

• A Little Bit of This, A Little Bit of That: A Celebration of Art and Design at The Residence in Copenhagen
• Kitchen of the Week: Restoring 1870s Charm in a Copenhagen Kitchen, Delft Tiles and All
• A Testing Ground for Objects: Inside the Copenhagen Apartment of Kasia Sznajder and Fred Aartun of aarticles
• Young Architect Freja Bak Josias’s Art-Filled Family Hideaway in Copenhagen
• Femte Til Venstre: A Danish Couple’s Thoughtfully Appointed 1927 Townhouse in Copenhagen